Ugly quilt saved or what to do when it doesn’t work

I wrote the original posts about this quilt here

and again here when it was finished.   It finally has a sleeve and a label and is being shipped off to the ” Stretching Art and Tradition” group exhibit  that will be shown at the Pennsylvania National Quilt Extravaganza in Philadelphia, PA in September.  I’ve never shown a full picture of it so thought I would show it here. 

There were a few issues doing this. First of all the quilt was washed so the batting shrank and it had that soft lived in look. I decided to paint before blocking  reasoning that it would get wet and crinkle up all over again. Of course then the paint wouldn’t go on evenly. I could see this being a problem with some things but since this was an out and out experiment I just went for it. I was happy with how it turned out and that the quilting lines and crinkles added a nice design element.

Its still a little wonky and is drying after being blocked so the final photo will get done later today before shipping it off.

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Update Off the Wall Friday Piece

 

 

 

This is a Quilt! SAQA Trunk Show

I’ve sent this little 7 x 10 inch  quilty art piece to be part of the 2014 Anniversary Trunk Show for SAQA 

SAQA This is a Quilt 2014 jpainedawes

From SAQA’s website:

The 2014 Anniversary Trunk Show will premier at the 2014 SAQA conference in Washington, DC, and then travel all across the United States and around the world. A group of quilts from this exhibition will be chosen by jurors Linda Colsh and Margaret “Peg” Keeney to become a permanent part of the collection of the National Quilt Museum in Paducah, Kentucky.”

Studio Redo & Studio Envy

These are photos of the cabinetry I’m considering for a studio redo. When I added the mid-arm machine  it got really cramped and its driving me nuts.  I can’t get into my shelves of ethnic fabrics or art supplies without moving my Koala  Cutting station. And I can’t roll that away without first moving bins of vintage fabrics…and I can’t move those until I move an extra machine or two. It was unexpected that adding one simple little piece of equipment would cause so much chaos.

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Ron and I looked at outside studio spaces yesterday. Yikes!! Many of them have sat empty for a few years and the owners still think they are treasures that are worth a king’s ransom.  Then even if I found one that was the right size, the right location and the right price, I would have to pack it all up, move it and still probably have to do some space customizing. So after a lot of thought and angst I decided it was much better to spend the cash in my little home studio.

There are an awful lot of artists who create masterpieces on the kitchen table or in a cold garage or basement. Having a studio that others would envy doesn’t make my art better. Its sort of like saying that when I’m thinner and prettier I will be rich and famous. With all the magazines published with great studios filled with light and custom storage, it is easy to envy the spaces of others and wish upon a star.   This is like lots of things in life, we should be thankful for what we have and where we live and where we create.  With this studio redo that’s just what I’m planning on doing.

PS: This is the counter top we picked out for the sewing surface. It should go with which ever of the cabinets we decide to use.

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Thoughts about Voice or Intent of Art

Boy, this is something most artists struggle with.  If two of us are together in person or cyberspace it is a frequent topic of conversation. I’ve written a couple of posts on this myself and joined into quite a few conversations. There seems to be no real answer to “how do you find your voice” or “what is artistic voice”. There are as many opinions as there are people to write or talk about it.

I was looking at all the SAQA donation pieces for this year’s SAQA auction. It is one of the main funding mechanisms for this wonderful international organization of nearly 3000.   If you aren’t familiar with it, artists make a 12 x 12 fiber art piece that is then auctioned off in a reverse auction on the SAQA website. Starting last year, some of the pieces were taken to the IQA festival in Houston for direct purchase.

Back to my observations. As I scrolled through I could easily recognize certain artists’ work before I looked at names. No doubt about these people having a distinct and loudly heard voice. I skipped over those and looked at the ones that I didn’t recognize the artist without reading the name.  Many of them are  the people who are still trying everything new they see and hear about whether it is in a workshop or they saw it in a magazine.  Two people can use the same subject and one will have a definite sophistication and the other will look like a craft project or a copy of someone else’s work.

There is  an evolution from crafter to artist that I see in the fiber art world with a lot of newer artists. Nearly everyone begins with experimentation of techniques and styles until they find what fits them best. Just like fine clothing, it sometimes takes a lot of alterations to get a perfect fit. I have always had a hard time with the craft aspect of art quilting that in my humble opinion sometimes takes it out of the art world. It is that aspect that leads the public to many times devalue the work and think there is a kit out there to buy so they can DIY. There is a huge difference between fine craft and big box store craft..one is shown in museums and collected, the other decorates your home until you are tired of it and donate it to the thrift shop.

I suppose I still struggle with my voice although I can see a real progression. I don’t try new materials, techniques or styles. I’ve been destashing unused and unwanted stuff from my studio. I hope I’m on the road to developing a recognizable  voice without loosing any of the passion or fun along the way.

http://pinterest.com/saqaart/saqa-benefit-auction-2013/

http://www.saqa.com/