I am loving the slow stitching and mediation of working on this piece. A combination of boro stitching on the kantha quilt, yellow felted wool appliqués and more of the mother of pearl (MOP) button waste. A 12 x 16 feather pillow form completes it. It is for sale HERE in my Etsy Shop.
I can’t believe it has been over a year since I wrote a post here. Bless you everyone who has checked in during that time. It was a year of very little creativity.
So where was I and what was going on? My 94 year old father had been checked into a nursing home in Illinois. I had always promised him that I would not allow that. So Ron and I moved rooms and furniture around to make room for Daddy. We became his care givers until he was called home to be with my mother a year ago November 1. He made it to his 95th birthday. I had a card shower for his birthday and the joy he had opening the cards as they came in the mail! Thank you to all who participated.
I was the executor of his estate. If you are ever called upon to do this, let me tell you it is a thankless job. Well, not all the time, one brother thanked me for being strong and standing ground to carry out Daddy’s wishes. It took a year to get his Social Security finished and I am finally free to be creative.
I do have work in a new book. OURstory is available for order on Amazon. This is the label from my piece in the book.
It has been a crazy year with lots of things demanding my focus away from fiber arts. Finally today I had a chance to check on my neglected indigo vat. As I suspected, deep, dark, murky blue. Geesh, Why do I do this to myself? I know when it isn’t attended that this will happen. The indigo was totally out of reduction.
Balancing a neglected vat is like starting over. Here are the things I need to coax this back into a healthy vat. Yes, I do a bastard vat, or in other words, what ever works. The most important part of the formula are test strips. The pH has to be right for the vat to be happy and if that vat ain’t happy, mama ain’t happy!
Because my vat is in an opaque container, it is hard to see the color. So the first thing I did was scoop out a gallon of liquid into a jar. I added some magic but nothing was happening. Even though the pH was right, there was no reduction of indigo so no color was going onto the fabric. I heated the gallon of liquid, then added more Rit color remover. Finally, a bit of color change from dark indigo blue to green. There is a little coppery scum on top but no flower yet. It may take a little more tweaking. I know there is plenty of indigo left in the vat so no need to add any more indigo powder.
The big vat is staring to get some copper, no flower, but it is dyeing a healthy green on the first dip. More tweaking but it is starting to sprinkle and Arkansas needs the rain. I will check on my flowers later today to see if there is any change.
One of my quilts for HERstory, an exhibit and book curated by Susanne Miller Jones, appears in the Quilting Arts Magazine story about the exhibit. It is always an honor to have work featured in a major quilting magazine. But just a note: I don’t live in Arizona, I live in Arkansas. There is a Lakeview, AZ but at the time I created this piece I lived in Lakeview, AR. It’s a mistake often made, or sometimes I get mail addressed in AK. Maybe I need to adopt some of these cities? Road Trip!!
When I explore surface design I want to go beyond commercial products. There are some great commercial ones out there and you can do some amazing things with them. But just like commercially produced fabric designs there is a limit to creativity. I like to dye and paint and print my own fabrics for one of a kind art work. Sometimes I start with a commercial fabric because I don’t ever want to waste something. But what do I use for printing and stenciling?
Here are a few new tools in my tool box for this. These things all were destined for the trash or the recycle bin, depending on their number. When you think of surface design you see these as tools rather than trash. Oh, that black wooden piece I picked up at a sale and I am anxious to see the design from it. The blue container is from mushrooms, of course an empty spool, the clear plastic is from cookies and the other piece is from bottles of fizzy water.
Here is a close up of the fizzy water plastic. I know this is going to be a favorite. It will produce both positive and negative prints depending on whether I use it to stamp or stencil.
I haven’t had time to play with all these yet. I have some deadlines for exhibitions coming up. I wanted to share since it has been a really long time since I posted. Here is a finished piece going to Carol Jones Frank for our small art exchange group on Facebook. I used the empty spool in gold ink for some subtle stamping. It gave just the right amount of another layer of complexity.