….since I was inspired to work on new pieces. I haven’t really figured out what the road block to my creativity has been, I just know that I haven’t been inspired to work! So I thought I needed to get back to some basics. I worked on a couple of UFO’s and they are nearly completed and up on the design wall in the studio waiting for quilting. They will get further along next week for sure. But, I still was in a creative funk. What I do should NOT be work.
Then a couple of things happened a few days ago. I unearthed a treasure of a 221K machine at Goodwill. For those who aren’t machine aficionados, that is known as a Singer Featherweight. And it is white, or as my friend Marie said, glowy green. After getting it cleaned, oiled and adjusted I became obsessed with making something! Ron said if he knew $8 (the cost of the machine) would do that he would have given me $8 sooner! Such a kidder…eye roll!
The second thing that happened was I found fat quarters and 1/2 yd cuts of some fantastic fabrics at the Humane Society Thrift shop. They spoke to me. And they are all fused up waiting to be cut for a special landscape quilt. I am excited! I think I may have my mojo back!
I’ve shared with my readers my journey recreating this landscape art quilt. It was one of my very first pieces completed and was exhibited in a few juried shows and it won Most Original Quilt as well as ribbons in some quilts shows. It was a Noteworthy quilt in 2009 in Machine Quilting Unlimited magazine. I was surprised at the commission request and the mystery of where the original went. I have moved on to more abstract and non-representational work. I wasn’t sure if I was up to the task. But I rarely turn down an opportunity to sell a work!
I’m a great procrastinator. Once I wrapped my mind around doing this commission I thought of ways to make a pattern (!!!!) and decided this was going to be easy peasy. So I procrastinated while I worked on things that were fun. This was going to be work.
So the first thing I learned is that even with making a basic pattern , no two art quilts will ever be the same. They are the same but different. The middle tree is fatter and the heron is fatter…must have eaten a few more trout over the years. But its mostly the same as the original piece.
Because I had good photos of the first piece I was able to blow them up to get a general feel of the quilting. Surprise! Muscle memory took hold and when I was in the zone stitching I felt like this was the first time. In other words, time went in reverse and I had the feeling I was doing this for the very first time; thinking ahead to the next area to stitch.
But the very most important thing I learned was that I LIKE to do this kind of work. I was able to get in a zone of work in the studio that I haven’t experienced for a very long time. And it was not work, it was FUN. Here is the completed piece, shipped off to Einstein Health Network, Moss ReHab, today.
Many many many yards of thread later, the blending of highlights and lowlights is completed. Sometimes the back is as interesting as the front of a piece. But, with an art piece like this, the quilt police who measure stitches per inch and consistency need not apply!
The base layer of stitching has started. It is both the embellishment and the quilting. Once this is completed I will go back and add highlights and shadows with other thread colors. The first White River Hope was done on one of my vintage Singers. This time I am using my sit-down mid-arm which is easier on my arthritic shoulders.